Holy Mackerel!!!...

Mackerel 12x24


This is one of the few still life paintings I’ve done this year on the smaller side. It’s 12×24″ an oil on canvas. I like the reflective qualities and the pattern of the fish, but as usual, I’m just as interested in the tablecloth pattern as I am in the central subject of the fish. Maybe it’s because they want to be in the water, but I seem to prefer the fish against a blue pattern. I hope to do a few more of these paintings of other types of fish, but it’s surprisingly hard to get my hands on whole fish. As the weather warms up I’m assuming that’ll get easier and I look forward to some new subjects.

Day’s End...

Days End 12x16sm


The warm light at the end of the day is stunning, but so fleeting it can be hard to catch. This painting was done in the studio from a photo, but using color lessons I’ve learned working on location. Even though I’m using the photo for a lot of the basic color information, I’m also punching the color temperature up a bit, and painting in subtle differences that are hard to capture with a camera. This richness of color is how I try to capture a sense of light in the landscape. Even when working in the studio, I want my paintings to be about a sense of light. This is a view looking down into New Harbor just before sunset.

Waterside Still life...

Waterside Still Life 48x36sm


I can’t seem to stop painting fishy still lifes. This one was especially fun to put together, the fish spilling out across a nautical tablecloth. The fish sometimes look like they’re swimming through the scene. The other fabric in this painting has some orange coi in the pattern, repeating the fish idea, but in a flatter, more simple representation.

Parked for the night...

New Harbor Fisherman 12x16sm


New Harbor, ME is a beautiful little working harbor near Pemaquid Lighthouse. As lovely as it is, it can be hard to find a place to paint, where I’m not in someone’s way as they haul lobsters and bait around. I like to stop by late in the day, when things are quiet, which also means I’m there as the wind dies and the sun gets low in the sky.

I tend to like painting backlit scenes like this, because they have so much contrast and drama, but part of the trick to scenes like this is trying to keep the values from getting too dark. I need to have some dark passages, but I want to leave room for the darks to have some rich color. Even though passages like the pilings might be close to black, I want to see if those blacks lean warm or cool, and take advantage of those shifts to help give the painting a glow. Pushing those color temperature differences is what gives paintings a better pop of light.

This painting is 12×16″ oil on canvas.


Pescatero 12x16sm


Since warm weather is just around the corner, I though I should bring a little sunshine to the blog today. This lobster boat was sitting high and dry at low tide in Friendship Harbor.I’m always a sucker for reflected color in shadows, and this boat had a nice warmth bouncing into the shadow of its hull. One of the tricks to painting is figuring out the ways a scene can be simplified. Even though there isn’t a ton of detail in this image, there is a lot of color information I try to include. Taking advantage of warm and cool differences is how I try to capture the light in a scene.

This painting is 12×16″ oil on canvas.

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