This painting is 72×48″ also, same as the image in the previous post. As I was working out some of the ideas for these paintings, I knew I wanted to do a few larger paintings, but was not sure exactly how I wanted them to play out. I stretched the canvases, made lots of sketches, and painted some studies to work out my ideas. After working on a few of these for over a year, I found certain subjects fit my approach better. One thing that was a big help was to have a lot of familiarity with the subject. The lobster boat is something I know very well from having painted so many of them over the years, so that seemed like a good jumping off point.
Another of my favorite subjects is the birches in my front yard, especially in afternoon light. I have painted lots of small studies and a few larger pieces, and I saw them as a chance to play with a vertical format and introduce some layers of color and abstraction in the lower half. For me the trick was to make sure I was happy with how the top half of the painting came out. I knew from experience that I was not as good at capturing the light on the trunks in the studio. As a result, I dragged this huge canvas out in the yard with tent stakes and rope and got a really solid foundation working on site. From there I was able to bring the painting in the studio and spend a few months tweaking the whole image to work in the way I wanted.
Posted on Thursday July 5, 2012 | 6 Comments
Love the colors and composition; would like to see this actual size to experience the full visual impact.
A beautiful light within this, really sparkles.
Love that one
Hey Dave, you can see it in August at Dowling Walsh Gallery in Rockland, ME. Thanks guys. Glad you like this one.
I can’t wait to see this foreground in person. Wonderful color. I can not even begin to imagine dragging this outside!!!!
again, the abstract foreground is in perfect harmony with the trees, which you paint so well.
I don’t think that it would be noticed as purposefully abstract if you hadn’t pointed it out.