More birches...

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

This painting is 72×48″ also, same as the image in the previous post. As I was working out some of the ideas for these paintings, I knew I wanted to do a few larger paintings, but was not sure exactly how I wanted them to play out. I stretched the canvases, made lots of sketches, and painted some studies to work out my ideas. After working on a few of these for over a year, I found certain subjects fit my approach better. One thing that was a big help was to have a lot of familiarity with the subject. The lobster boat is something I know very well from having painted so many of them over the years, so that seemed like a good jumping off point.

Another of my favorite subjects is the birches in my front yard, especially in afternoon light. I have painted lots of small studies and a few larger pieces, and I saw them as a chance to play with a vertical format and introduce some layers of color and abstraction in the lower half. For me the trick was to make sure I was happy with how the top half of the painting came out. I knew from experience that I was not as good at capturing the light on the trunks in the studio. As a result, I dragged this huge canvas out in the yard with tent stakes and rope and got a really solid foundation working on site. From there I was able to bring the painting in the studio and spend a few months tweaking the whole image to work in the way I wanted.

 

6 Responses to “More birches”

  1. Love the colors and composition; would like to see this actual size to experience the full visual impact.

  2. Dave Miner says:

    A beautiful light within this, really sparkles.

  3. Doug says:

    Love that one

  4. Colin Page says:

    Hey Dave, you can see it in August at Dowling Walsh Gallery in Rockland, ME. Thanks guys. Glad you like this one.

  5. Dd says:

    I can’t wait to see this foreground in person. Wonderful color. I can not even begin to imagine dragging this outside!!!!

  6. again, the abstract foreground is in perfect harmony with the trees, which you paint so well.
    I don’t think that it would be noticed as purposefully abstract if you hadn’t pointed it out.

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